For Whom the Bell Tolls -- Ernest Hemingway

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Alex
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For Whom the Bell Tolls -- Ernest Hemingway

I believe I have the next choice, and as you can see I am choosing "For Whom the Bell Tolls" by the late and great Ernest Hemmingway. We are still waiting for some to finish the Screwtape Letters, but I thought I would get the ball rolling and give people time to place their order. What do you think is an appropriate start date? How does May 15th sound? Here is a brief plot synopsis from Wikipedia:

"This novel is told primarily through the thoughts and experiences of Robert Jordan, a character inspired by Hemingway's own experiences in the Spanish Civil War. Robert Jordan is an American who travels to Spain to oppose the fascist forces of Francisco Franco.

A superior has ordered him to travel behind enemy lines and destroy a bridge, using the aid of a group of guerrillas who have been living in the mountains nearby. Robert Jordan encounters one of those in their camp, María, a young Spanish native whose life has been shattered by the outbreak of the war. His strong sense of duty clashes with both Republican partisan leader Pablo's fear and unwillingness to commit to a covert operation which would have repercussions, and his own joie de vivre that is kindled by his newfound love for María.

The novel graphically describes the brutality of civil war."

dew
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Starting the 15th

We should be getting the book just before the date suggested.

leo
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in my possession

I have book already, thanks again Alex! Now I'm not being critical here, because I've been looking forward to reading this for a while now, but we have to be careful not to venture into 'epic novel' territory. If some of you thought Screwtape was long-winded, I would hate to subject you to 470 pages of Hemingway.

Alex
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...

Just so you know, my version of Captain Corelli's Mandolin was 533 pages (and there certainly weren't any complaints there). 500 pages of good fiction doesn't read like 500 pages of non-fiction or philosophy, especially when it's Hemmingway (as you will see). Screwtape was only long-winded (for me) because of the way it was written, not because of the length of it.

leo
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I concede

aight aight...i see the point...I'm not objecting to this book at all, I just wanted to put it out there that one of the few rules is no James Joyce small print biblical epics

jason
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Stop making a joke of this prestigious book club

Hemingway has one "m".

leo
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for those who need background on the Spanish Civil War...

From Wiki:

The Spanish Civil War was a major conflict that devastated Spain from 17 July 1936 to 1 April 1939. It began after an attempted coup d'état by a group of Spanish Army generals against the government of the Second Spanish Republic, then under the leadership of president Manuel Azaña. The nationalist coup was supported by the conservative Spanish Confederation of the Autonomous Right (Confederación Española de Derechas Autónomas, or C.E.D.A), monarchists known as Carlist groups, and the Fascist Falange (Falange Española de las J.O.N.S.). Following the military coup, working-class revolutions spread across the country in support of the Republican government, but were all brutally put down by the army. The war ended with the victory of the nationalist forces, the overthrow of the Republican government, and the founding of a dictatorship led by General Francisco Franco. In the aftermath of the civil war, all right-wing parties were fused into the state party of the Franco regime.

The Nationalists (nacionales), received the support of Fascist Italy and Nazi Germany, as well as neighbouring Portugal. The Soviet Union intervened on the Republican side, although it encouraged factional conflict to the benefit of the Soviet foreign policy, and its actions may have been detrimental to the Republican war effort as a whole.The United States government offered no official support for the Republican side, although over two thousand Americans volunteered on the Republican side. American corporations such as Texaco, General Motors, Ford Motors, and The Firestone Tire and Rubber Company greatly assisted the Nationalist army with their constant supply of trucks, tires, machine tools, and fuel.

The war increased international tensions in Europe in the lead-up to World War II, and was largely seen as a proxy war between the Communist Soviet Union and Fascist states Italy and Germany. In particular, new tank warfare tactics and the terror bombing of cities from the air were features of the Spanish Civil War which played a significant part in the later general European war.

The Spanish Civil War has been dubbed "the first media war", with several writers and journalists covering it wanting their work "to support the cause" Foreign correspondents and writers covering it included Ernest Hemingway, Martha Gellhorn, George Orwell and Robert Capa. Like most international observers, they tended to support the Republicans, with some such as Orwell participating directly in the fighting.

Like most civil wars, it became notable for the passion and political division it inspired, and for atrocities committed on both sides of the conflict. The Spanish Civil War often pitted family members, neighbors, and friends against each other. Apart from the combatants, many civilians were killed for their political or religious views by both sides, and after the war ended in 1939, Republicans were persecuted by the victorious Nationalists.

An estimated total of 300,000+ people lost their lives as a consequence of the war. Out of them probably 120,000+ were civilians executed by either side.

Chris Thompson
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Books read before

I Fear that I am not an established enough member of this illustrious club to say this but, shouldn't it be against the rules to pick a book that you have already read, and already have opinions on.

Alex
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Hmmm

I personally don't think it's a problem (obviously, considering it pertains to me). I don't think it was an issue at all for my first choice (Captain Corelli), but maybe some of you disagree. I just love the idea of introducing one of your favourite books to others, and hearing everything they have to say about it (good or bad). However, if the majority of people agree with Chris (and Len, who I believe thinks the same), and think you shouldn't choose a book that you have read before, then I will concede to the masses and choose something new. Just let me know what you think.

leo
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choose your own adventure

I think each person can choose what they wish. Personally, I am making it a rule for myself to choose a book I haven't read. I would rather use it as an opportunity to read a new book. But I have no problem if other people choose books they've already read, as long as I haven't!

jason
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The most important rule

I think the most important rule is to respect people's book choice no matter what they pick.

If, say, Alex chooses a book and the others say "uh, no thanks" and he chooses another to please the crowd, can we really say that the book we end up reading is Alex's pick?

Obviously, if someone chooses volume 1 of Das Kapital unabridged, this rule goes out the window and I will lead the charge, pitchfork in hand.

leo
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one more rule

the other rule is that loyal members of the book club should attach a picture to their profile...

AND, we shall email Mr. Bradley every day until we here from him. I for one, long for his dark and dry humour.

dew
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Got the book

I think I will start reading the book tomorrow, since I'm a slow reader. How many weeks do we have to read it? Considering that it's almost summer and that we all have events to attend to. I would suggest a two month delay to finish the book. What say you?

Chris Thompson
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Nay I Say

I Vote for no change in time lines due to changing of seasons. At that rate we won't be reading my book until November, and frankly I want to read it now. I also would like to formally request to be placed above the absentee Dr. Bradley in the list.

Alex
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Agreed and agreed

While I sympathize with Rocio (I too am a slow reader), I think two months is too long as well. I would say a month or even six weeks is enough time. Thompson, as a founding member of this book club, I support your motion to be put ahead of Dr. Bradley. Your new-found committment to this club has not gone unnoticed, just as Dr. Bradley's absense is all too conspicuous.

JurPov
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Hemingway

I got the book and am about 10 chapters in so far. I, for one, am really glad we have picked Hemingway as I really like what I have read from him.

In the spirit of Hemingway, I have also made the decision to go "running of the bulls" in Pamplona in July. If my posts stop after that point... now you know why in advance. Next on my list is to go fishing for Marlins...

leo
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finished

just finished the book last night...for the last 200 pages I could not put it down. 5 stars, absolutely amazing. I must read more Hemingway. Anybody else finished?

JurPov
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... not.... finished...

I am a little bit behind, and will have to take the book with me to South Africa. May be a good read if I get bored during a match...

I still have about 200 pages to go, so it's good to know that "I won't be able to put it down"...

Alex
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Not finished

Good to hear Lenny. I have about 100 pages left, so should be done this week. The wedding kind of got in the way.

leo
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commitment

Juraj, I trust that you brought your Hemingway to the World Cup so that you can catch up at halftime.

Alex
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Finished

God I love that book. I'll wait till everyone is done to comment. Looking forward to hearing what others have to say.

dew
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Not done. I'm trying!!!

It's real hard.

jason
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Perfect combination

leo wrote:
Juraj, I trust that you brought your Hemingway to the World Cup so that you can catch up at halftime.

Vuvuzelas, Germany kicking England's ass, and Hemingway. The way God intended.

jason
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November is coming quickly...

Chris Thompson wrote:
I Vote for no change in time lines due to changing of seasons. At that rate we won't be reading my book until November, and frankly I want to read it now. I also would like to formally request to be placed above the absentee Dr. Bradley in the list.

What page are you on?

jason
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Finished

Finished it up last week. Hemingway was a master of his craft. Any word from Juraj so we can start discussing this thing? He was as far along as I was a few weeks ago.

JurPov
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Done...

Sorry... I didn't check the board for the last while. I finished just before I went to Pamplona, and took a picture of myself by the hemingway statue next to the bull-fighting arena. I can totaly see how the whole San Fermin encierro and festival could have been quite inspirational. It was hard for me not to be pleasantly overwhelmed by the whole thing. I honestly have never been to a place/festival/party with a better atmosphere.

Anyway... about the book. I thought it was good and somewhat "typical Hemingway". No frills... just the details needed to set up the characters and plot, and then the climax. The thing I liked in particular was the fact that it allowed me to better visualize the whole Spanish War thing. This is one conflict that I could not really picture in my head, and I think that is mostly due to the fact that most history classes and books tend to kind of just "glance" over it, without going into too much detail.

So what fictional novel during the time of war will Mr. Wright select next? War and Peace???

dew
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Just finished...

I finally managed to get through the book. Here are my thoughts:

Firstly, Hemingway has a way with words. I totally felt in the story from beginning to end. The characters were vivid and very human. The story itself is somewhat a testimony of the whole Spanish civil war. I did find Jordan's inner dialogue a little redundant and tiresome. I also found Hemingway to be man of his times, in the sense that the role of the woman and her stereotypes were very well defined and that there were no room for any changes.

My big beef about this book is that the build-up was never ending. I was expecting the bombing of the bridge to take place sooner, but the story went on and on, and no bridge. Of course the denouement had to be on the very last chapter. I was not expecting for it to be on the last chapter. In retrostect, it could not have been otherwise.

Alex
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Viva la Republica

Juraj, it’s a book club. We read books. If it’s too long for you, you can air your grievance with the Executive Book Council.

I absolutely love this book. The way Hemingway writes is absolutely brilliant in its simplicity. That is one of my favourite things about his writing: simple but so vivid. No need for big words to describe something. Here’s a random example from the book that I like: “As they came up, still deep in the shadow of the pines, after dropping down from the high meadow into the wooden valley and climbing up it on a trail that paralleled the stream and then left it to gain, steeply, the top of a rim-rock formation, a man with a carbine stepped out from behind a tree.”

Hemingway also said you should write what you know and about your life experiences. He knew the Spanish Civil War from experience quite well, and brought it to life for me. Most of his other books are about his experiences hunting, fishing, bull fighting, etc., all things he knew very well, which makes it very easy to write about.

I agree Rocio in that some times Robert Jordan’s dialogue got redundant. I’ve also found that in many of his other books. In some of his dialogue (especially the inner) it’s almost as if I can’t bring it to life. I don’t know if that’s his failure or mine.

The book did bring to life the romanticism of the war, and how passionate people were about it. I loved on page 350 when Maria is telling Robert the story about her parents: “I saw both of them shot and my father said ‘Viva la Republica,’ when they shot him standing against the wall of the slaughterhouse of our village. My mother standing against the same wall said, ‘Viva my husband who was the Mayor of this village,’ and I hoped they would shoot me too and I was going to say ‘Viva la Republica y vivan mis padres,’ but instead there was no shooting but instead the doing of the things.” And then on page 355 Robert Jordan is reflecting on this: "Last words were good sometimes. ‘Viva my husband who was Mayor of this town’ was good. He knew it was good because it made a tingle run all over him when he said it to himself." That part actually made a tingle run all over me when I read it. It touches on the tragedy of romanticism, and of the war in general.

Chapter ten was one of my favourites. It’s the one when Pilar is describing the plaza scene when they rounded up the fascists and made them march down the aisle of Republicans who taunted and jeered and then threw them off the cliff. That chapter plays out like a movie in my head.

Rocio, I actually loved the build up to the blowing of the bridge. I found that that’s what let me get to know the characters so well. Also, I found the build up to be very dark at times, in that every character reflects on or even predicts his or her own death. This part (Robert Jordan) actually makes me welt up when I read it (page 380): “How little we know of what there is to know. I wish that I were going to live a long time instead of going to die today because I have learned much about life in these four days; more, I think, than in all the other time. I’d like to be an old man and to really know. I wonder if you keep on learning or if there is only a certain amount each man can understand. I thought I knew about so many things that I know nothing of. I wish there was more time.”

Maur, I wish I knew Hemingway back when we were in Havana. I would have loved to have had a mojito at La Bodega and imagine him getting shit-faced there. For those that are interested, The Old Man and the Sea is a great read. Probably my favourite Hemingway. You can read it in a day.

JurPov
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A por ellos... oe...

I was not alluding to the fact that you chose a long book, but that so far, both of your pics were semi-fictional novels written during a war. As a result, I referred to "War and Peace" due to the fact that this falls into the same category as your previous pics. Don't misunderstand... I love Hemingway, and I was very pleasantly surprised by your other pick as well.

I personally liked the inner monologues of el Inglés... I don't think Hemingway was doing anything other than setting up the characters in the book. Through the characters, he showed the many different approaches taken to conflicts. I.e. everyone has their own reason (including the other side) for being there, and everyone has different fears, regrets, limits, aspirations, etc. In the end, it is a conflict between humans, and as a result, based on the choices of individuals (e.g. Golz's dedication to the attack due to the momentum already in place).

What I didn't like, is the fact that I could almost tell the exact instance where the "development" in the characters stopped, and the "climax" started. As soon as I read about the guy on the horse wondering into their camp while Robert Jorda was in his sleeping bag, I couldn't help but feel like.... alright... now we are done talking about all the "soft stuff" and it is "go time"!

I really have to read up on the Spanish Civil War a bit though! I can't believe how completely clueless I am about that one.

P.S. Whose turn is it next to pick? I want to start ordering...

jason
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Next book

JurPov wrote:
P.S. Whose turn is it next to pick? I want to start ordering...

Hey Juraj, not sure if you saw this. It's dew's pick and she's chosen In the Time of the Butterflies by Julia Alvarez.

Alex
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Misunderstood

Fair enough Juraj. I guess I took it the wrong way because War and Peace is like three times the length of For Whom the Bell Tolls. Thanks for the clarification Wink

And don't get me wrong: I loved most of the inner monologues. For example, the one I referenced about him contemplating his own death, or when he's deciding what to do with Pablo. There are just some points where I found it a little redundant.

JurPov
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Is this it???

Is this all the discussion this book is going to get? I hope not...

I guess the one part I didn't know how to interpret... so i'll throw it out there... is what did Pilar actually see in Robert Jordan's hand? Was it his own demise, or was it the demise of everyone in the group? If she knew he was going to die, why did she "throw Maria at him"? Pitty? Also, why did she have the whole discussion about him taking Maria with him after, etc.?

It seems that Hemingway placed some importance on the "gypsy" rituals, traditions, and all superstitions throughout the book. I don't recall there being a single one that didn't come true. I think this is what Alex was implying when he mentioned that there was a lot of foreshadowing in the book... Yet, in this case, Pilar's actions are somewhat confusing if she saw the right future, while her not being able to see the future correctly seems to go against the general thread throughout the book.

Thoughts?

leo
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5 stars

I thought that Pilar admitted at the end that the palm reading was BS?

This book was amazing, I have to say one of my favourites of the duration of our glorious book club. I really enjoyed not only Maria's story, and Pilar's story, but also the following chapter where it deals entirely with Robert Jordan's thoughts. I suppose I disagree with most in that I thought the most entertaining parts were Robert Jordan's inner monologues, in particular when he is debating his place in the world and his love for Maria. He was so fearless and then when he had something he wanted to hang on to he began to have serious doubts. His apolitical nature was also so pronounced in the setting of the Spanish Civil War. The conflict within his character and Pablo's character were very high points. Through simple language, Hemingway gets into each character and by the end of it I was feeling pretty attached, I can't remember the last time a fiction really grabbed me this way.

I really enjoyed the character of Pablo. He is still somewhat of a mystery to me, and I'm not sure whether to feel angry at him or sorry for him. Hemingway's character development is so good, it builds up and he reveals both despicable and redeeming qualities, in both the heroes and the villains.

excellent pick

leo
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inner monologue

one of my favourite Robert Jordan quotes: "To be bigoted you have to be absolutely sure that you are right and nothing makes that surety and righteousness like continence. Continence is the foe of heresy."

jason
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More smoke up Hemingway's arse

Alex wrote:
Chapter ten was one of my favourites. It’s the one when Pilar is describing the plaza scene when they rounded up the fascists and made them march down the aisle of Republicans who taunted and jeered and then threw them off the cliff.

+1. Definitely my favourite part for the first half of the book.

JurPov wrote:
What I didn't like, is the fact that I could almost tell the exact instance where the "development" in the characters stopped, and the "climax" started. As soon as I read about the guy on the horse wondering into their camp while Robert Jorda was in his sleeping bag, I couldn't help but feel like.... alright... now we are done talking about all the "soft stuff" and it is "go time"!

I had the same feeling as soon as that happened, except I loved it. I saw it as the payoff of the slower-paced stuff leading up to that point. I think leo might agree with me on this one, as he says he couldn't put the book down for the last 200 pages or so. After that happened, I couldn't put it down either--so much action.

leo wrote:
I can't remember the last time a fiction really grabbed me this way.

I'm not ashamed to admit I cried in the last chapter. I knew what was coming--didn't we all?--but it still got to me.

dew wrote:
My big beef about this book is that the build-up was never ending. I was expecting the bombing of the bridge to take place sooner, but the story went on and on, and no bridge.

I found that to be genious: it shows how one little operation in a war has so much that comes with it. So tragic and so much loss of life for but one small part in a much larger war.

***

As for Hemingway's writing style, I think we all agree it's simple and vivid. I like how he seamlessly jumps from an omnipotent third person narrative to a kind of first/third person inner monologue by putting "..., he or she thought...", and then running with it from there. Take André Marty as an example in chapter forty-two (pages 420-421 in my edition--I just opened the book and took the first "he thought" I saw):

Hemingway wrote:

Marty shook his head again. He was looking at Andrés but he was not seeing him.

Golz, he thought in a mixture of horror and exultation as a man might feel hearing that a business enemy had been killed in a particularly nasty motor accident or that some one you hated but whose probity you had never doubted had been guilty of defalcation. That Golz should be one of them, too. That Golz should be in such obvious communication with the fascists. Golz that he had known for nearly twenty years. Golz who had captured the gold train that winter with Lucacz in Siberia.... That Golz should be one of the traitors. He knew that you could trust no one. No one. Ever. Not your wife. Not your brother. Not your oldest comrade. No one. Ever.

"Take them way," he said to the guards. (And we're back to third person omnipotent.)
[my emphasis]

A couple lines later, he does the same thing, again jumping back and forth. Hemingway makes it look easy--what a master!

I love the Spanish in there, too. The other day, Roci and I went to a latino butcher shop. When the guy told me the meat came to $15, I found myself saying "Me cago en a leche de quince dólares!". Funny enough, he laughed and asked if I was Spanish.

scribbles
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Que Barbaros!

Finished this book up yesterday and still in awe of the way it all carried through at the end. I think I too was convinced the bridge blowing was going to happen around chapter 12 or 13, but it was better to keep the suspense building. I can't remember the last time i read a book that was so enveloping. I totally believed that the thoughts and inner dialogue of each character was truly their own and not the invention of one man at a type writer.

The plot development was also pretty amazing to me, it's hard to imagine that the entirety of the book takes place with a small guerilla band behind enemy lines and yet with only a few flash backs to Jordan's time in Madrid we get a nice connection to the greater war effort and introduced quickly to the movers behind the attack which feeds in well at the end with the message arriving to Goltz just a touch too late. Just enough information is given to make us interested and to understand the character and their motivations, but there is really never anything redundant or tiresome about this to me.

I was really very taken with his dilemma right at the end to kill himself because the pain was getting too much and he did not want to pass out and be questioned later. The whole story about his father and grand father suddenly comes into play as he wonders if taking his own life right at the end will be misunderstood in the after life as a weakness, or even cowardly.

Also, the character of Pablo is probably one of the best I've encountered. Tracking his development trough the book and the foreshadowing of his betrayal was pretty epic and I really never expected him to return with more reinforcements, a great little twist. I actually half expected another even greater betrayal from this guy right to the last page! The fact that he kills all the new guys who came to help with the bridge just so that there will be enough horses to escape was pretty shocking. This lil nugget was totally unnecessary in terms of plot, but is yet another example of wholly engrossing character development right up till the end.

leo
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the ending

the ending was spectacular. I love how Hemingway doesn't spell it out, but rather leaves it to the reader's imagination. It ends the exact same way in which it began, with Jordan laying on pine needles. All of the thoughts about his grandfather made it so emotional. It was so sad the way it all went down, that it was more of a blunder rather than deliberate sabotage by Pablo that made Jordan have to stay behind. One of the things that I thought really made the reader feel a part of the story is that it is in real time. Every minute that passes is represented in the book. Like Scribbles, I also expected one final treacherous act by Pablo, but it never comes.

Alex
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I befoul myself in the milk of the springtime

I know what you mean about leaving it all up to our imagination. I mean, I think we would all agree that he ended up dying or being killed. But, it's awesome to imagine the possibilities: did he go down in a blaze of glory? Did he kill some fascists before they managed to kill him? Did they pass by him and he ended up dying on the pine needles? Or did they get to him and take him prisoner? I highly doubt this last one, given the ruthlessness of how prisoners were treated in the war. I just love picturing him lying on his elbows on the pine needles at the beginning, scouting the bridge with Anselmo, and then at the end, his leg all mangled, having accepted his fate, just waiting to fight till the last breath. It gives me shivers thinking about it.

On the topic of Pablo, I don't know why, but I kind of thought he actually would come through. Despite his weirdness and unreliability, I thought deep down he was bright and loyal, there just needed to be the right circumstances to bring it out. I loved the chapters when Pablo is drunk and saying foolish things. And then when they all discuss killing him and he comes back in the cave. It all gets so awkward.

I too loved the literal translations from Spanish. Some things just weren't meant to be translated literally, but it gives a very rich flavour to the dialogue. Same goes for the use of "thou," with the old Spanish. Me cago en Jesus tio!

leo
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Bradley's commentary

in keeping with his long held tradition of never logging into the site, Jon sent Alex and I his comments regarding this book:

"I just finished For Whom the Bell Tolls...finally no more mother fuckin Que Va's. In happy I read it, I appreciate Hemmingway's prose and descriptive writing and his insights into human nature, but god it was a struggle (as evidenced by the two other books I read in between). But when I focused and did get into it...it was pretty amazing how he captures the moment and you feel like it's you sitting in the forest waiting for a tank to come around the corner."

leo
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Orwell

just came across this essay reminiscing about the Spanish Civil War, good read: http://orwell.ru/library/essays/Spanish_War/english/esw_1